[Album Review]: Origin’s “Entity” (Full Length, 2011)

Posted: October 3, 2011 in Album Reviews
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Origin, mostly has been the band that orients on technicalities and speed over other compositional facets, the strategy which has worked out well to establish themselves as one of the few technical death metal maestros that doesn’t suck while demonstrating one’s individual instrumentation proficiencies. But alongside, while conforming towards the technical dimensions, what bothered me a bit was the lack of musical variation that was almost non-significant between their previous records they did after the more straightforward self-titled. Their last release, “Antithesis” was a real remarkable one, perhaps one of the best death metal releases of the last decade, that it got me doubting if the band could ever cross that bar of magnificence again.

Well, it was before a couple of months that Origin had released the single, “Expulsion of Fury” in their Facebook page, the track that was about to be included in this album. That was when Morbid Angel had just released their substandard ninth studio album. I listened to “Expulsion…” and the first three seconds, I thought owned the entire “Illud Divinum Insanus”. The insane sweep arrives, makes way to the classic Origin riffing with dual vocals assault and Longstreth’s mad blasts. It wasn’t outside what everyone could expect out of the band and it was quite convincing enough to make me look forward to the album release.

Origin always seem to wow me through their limits-stretching technical precisions. And this time, they have done it with additional spices added on the regular. They never bothered to bring catchiness and memorable feeling in their songwriting, but this time, it’s here to be felt. The guitar work is balanced well with the amount of arpeggios, the trademark Origin technical riffing and frequent grind-inclined groovy offerings. Melodic instances have increased this time, sometimes advancing as a progressive form of the genre, much akin to Ulcerate from New Zealand, the band this album made me remember at times. Well, there are constituents that suggest the band is returning back to their demo or S/T era sound. Lots of primitive death metal chugs are presented which are there to remain in your head for a long time. All these elements have displayed the band’s broader horizons and thus reflecting a wider side to songwriting. I gladly hope they would continue experimenting with this sound in future releases as well.

The guitars don’t mind slowing down at times and then reviving the fury again, while the blasts and fills continuously design the flow. Really fast bass pedaling by John Longstreth, no wonder why he’s counted as one of the fastest death metal drummers on earth. More sensible and varied drumming than any of Origin’s previous records.

I was wondering how the vocals on this album would be, because James Lee was a monster, one of my favorites in death metal world, and his departure had obviously put me in question. But Paul Ryan and Mike Flores have done tremendous job behind the mic – the standard Origin growls with screams, which come dual, and that won’t make you feel the absence of James Lee at all, though I miss the big man. As furious as what the music demands them to be and they’ve even got variations, consisting deep Devourment-like gurgles at times. The bass guitar could have been mixed a bit louder than that. But the production is quite great, if not perfect.

Tracks like “Saliga” and “Consequence of Solution” run around seven minutes but still manage to maintain the consistency up in their flow and don’t make you feel that they are forced to have got themselves elongated. On the other hand, “Purgatory”, which is just a little longer than a minute is also capable of throwing the charm of its presence. And there are moments when they try to fuse middle-eastern melodies to the ongoing brutality, like in “Saliga”, 02:42 or “Consequence of Solution”, 04:22 and which I feel could have been neglected. I couldn’t help but get Nile feel at what these parts followed, if not at those moments (e.g. “Saliga”, 03:12 onwards or at its opener riff or in “Fornever”). “The Descent”, although a rare acoustic track by Origin, had made me feel that it would have been better if they had never attempted this anyway. A bit of a relief out of the continuous brutality but also, at the same time, pointless.

Thus, while this is one splendid album, there remain a bit of vacuum of judgmental void, at few of the points that I refrain to consider either good or bad. The overall sound is the typical Origin, mixed with Ulcerate, Pestilence and even Nile and Brain Drill. Hence this is just per what is to be expected from these technical beasts. The album presented newer sounds that are to be counted on from the band, and I hope that they release Entity‘s successor soon.

8.5/10

Comments
  1. Origin’s new album is really tight, better than Decapitated this year.

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